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HIMI · Jelly cup gouache and studio kit, straight from the makers.

Keeping jelly cups workable

6 min read · written in the studio

Paint in a sealed cup keeps because the lid holds the water in. Almost every stiff cup we hear about traces back to a lid that went on crooked, or a session that ended with the box still open on the desk.

What actually stiffens a cup

Gouache does not cure. It loses water, and it loses it from the top down. A cup left open for an afternoon grows a rubbery film across the surface while the paint underneath is still soft. Push a brush through the film and you drag lumps of half dried binder into your mix, which is where the streaks come from.

The fix is not more water. Flooding a cup thins the paint below the point where it covers in one pass, and the extra water sits on top for days. Keeping the lid honest is cheaper than correcting either problem.

The routine at the end of a session

  1. Lift out any brush still parked in a cup. A brush left in the well wicks water out of the paint overnight.
  2. Give each open cup one pass with a fine mist bottle. One pass, not four. You are replacing what evaporated, not adding a layer of water.
  3. Wipe the rim of the cup and the inside face of the lid. Dried pigment on the rim is what stops a lid from seating flat.
  4. Close the box and put it down level. A cup on its side leaks into the neighbour, and a pale well never fully recovers from that.

Bringing a stiff cup back

A cup that has gone leathery is usually recoverable. Mist the surface, close the lid and leave it overnight. The water works down through the skin on its own. In the morning, stir with the flat of a palette knife rather than a brush: a brush ferrule splays out on stiff paint and never sits straight again.

If it is only the top few millimetres that hardened, lift the crust off in one piece and keep painting from the soft body underneath. Do not stir the crust back in.

Common cup problems and where they come from
What you seeUsual causeWhat to do
Skin across the surfaceLid left off between sessionsMist once, close overnight, lift the skin in the morning
Water pooling on the paintToo much misting, or a wet brush parked in the wellLeave the lid off for an hour, then close as normal
Grey cast in a pale colourA dirty brush went straight into a light wellScrape the fouled surface off and work from underneath
Lid will not sit flatDried pigment on the rim or in the gasket grooveDamp cloth around the rim and along the seal
Paint covers thin in one passThe well was flooded and is still dilutedWork from the edge of the well where the body is thicker

The gasket is the part people forget

Every travel box in the range seals on a silicone strip seated in the lid. It is soft enough to take a full print of whatever it presses against, so a fleck of dried gouache in the groove holds the lid open by half a millimetre. That is enough to dry a whole box over a fortnight. Run a damp cloth along it whenever you clean the rims.

Storage between projects

Flat, closed, and somewhere the temperature does not swing. A box on a sunny windowsill loses water through the seal faster than one in a drawer, and a box left in a car over summer will need reviving before the next session. If a palette is going to sit for a month, mist it before you shelve it rather than after you open it.

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